Agnes Marton, Blast and Cruise

Hungarian, b. 1965, playing from Luxembourg

Hungarian-born poet, editor, linguist, translator. She has been working in academic, art and EU law publishing since 1991. She is based in Luxembourg.

She participates in exhibitions and art projects: Opposition (USA), Flow (Switzerland), So What (New Zealand), Stone Project (USA), Arts et Jardin (France), Windows for Burns Night (UK), Dharmic Angels (UK), European Sculpture: Methods, Materials, Poetry (Sweden), Appeal 2012 (South Africa), Wool Symposium (Spain), Not On Our Green Belt (UK), A Place in Time (UK).

She performs her poems all over the world. Most recent publications: Sculpture/poésie (France); Gateway (USA); Penning Perfumes (UK), the award-winning Estuary: A Confluence of Art and Poetry (USA, poetry editor and contributor); Poems for Pussy Riot (UK), Binders Full of Women (UK), Shorelines (UK), For Rhino in a Shrinking World (South Africa), Le monde n'est pas rond (Luxembourg), Lines Underwater (UK), Drifting Down the Lane (USA, poetry editor and contributor).

Recent commissions include Double Bill (UK), Glitter is a Gender (UK), Tour de Vers (UK), Shakespeare/Bronte/Austen Anthology (UK).